International Oscar Race: ‘Reinas,’ Prizewinner at Berlin and Locarno, Selected by Switzerland

Swiss-Peruvian filmmaker Klaudia Reynicke‘s family drama “Reinas” has been submitted as Switzerland’s entry in the international feature film category of the Academy Awards.

The Spanish-language film had its world premiere at Sundance Film Festival, won best film in Berlinale’s Generation Kplus section, and took the audience award at Locarno.

The film is set in Peru in 1992 as the country is in the throes of social and political upheaval. Elena, a single mother, plans to leave the country with her daughters Lucía and Aurora. While the girls grow closer to their previously absent father, the impending farewell from home and family draws ever nearer.

Britta Rindelaub and Thomas Reichlin at the Geneva-based Alva Film produced the film, which was co-produced with Maretazo Cine in Peru, Inicia Films in Spain and RTS Radio Télévision Suisse. The Yellow Affair is handling world sales.

Jordan: ‘My Sweet Land’

Jordan has picked “My Sweet Land,” a documentary by U.S.-based Armenian-Jordanian documentary filmmaker Sareen Hairabedian, as its entry in the international feature film category of the 2025 Academy Awards.

Set against a multigenerational war in the post-Soviet Caucasus Mountains, “My Sweet Land” potrays an 11-year-old boy named Vrej who dreams of becoming a dentist. However war erupts once again in the Nagorno-Karabakh region of Azerbaijan, where he lives, forcing him and his family to flee. Then, as he spends his days in exile, Armenians lose the war. When Vrej returns to his surviving village he must confront new power dynamics and prepare for future battles.

The doc is produced by Azza Hourani under the banner of the collective HAI Creative shingle in co-production with Sister Productions and Soilsíu Films. “My Sweet Land” is a co-production of ITVS in association with ARTE France and World of HA Productions.

Argentina: ‘Kill the Jockey’

Argentina has selected Luis Ortega’s Venice, Toronto and San Sebastian player “Kill the Jockey” as its submission to the 2025 international feature Oscar race.

“Kill the Jockey” is the story of Remo Manfredini, a legendary jockey whose self-destructive behavior threatens to overshadow his talent and ruin his relationship with his girlfriend, Abril. On the day of a race that could help him clear his debts to a mob boss, Remo has a traumatic accident and is hospitalized. After disappearing from the facility, he wanders the streets of Buenos Aires as the mob looks to track him down, dead or alive.

The film headlines Nahuel Pérez Biscayart (“Glue,” “120 BPM”) and Ursula Corbero (“Money Heist,” “Snake Eyes”), who are joined by Daniel Giménez Cacho (“Bardo: False Chronicle of a Handful of Truths,” “Blancanieves”) and Mariana Di Girolamo (“Ema,” “Perdona Nuestros Pecados”).

“The Jockey” is a multi-country co-production between producers Rei Pictures (“Zama”), El Despacho, Infinity Hill (“Argentina 1985”), Warner Music Entertainment, and Exile. Co-producers include Piano, El Estudio, Snowglobe, Jacinto Films and Barraca.

Being selected to represent their country in this year’s Oscars race is likely a bittersweet honor for those who worked on the film, as they’re currently watching Argentina’s audiovisual sector be gutted by draconian cost-cutting measures taken by Javier Milei’s right-wing government. A large protest against the measures was held on Tuesday at the San Sebastian Film Festival.

U.K.: ‘Santosh’

The United Kingdom — current holders of the Oscar for best international feature thanks to Jonathan Glazer’s “The Zone of Interest” — is going to be represented by Sandhya Suri’s acclaimed crime thriller “Santosh” in the same category at the next Academy Awards.

The Hindi-language film, which bowed in the Un Certain Regard competition in Cannes earlier this year, was chosen by the British Academy’s selection committee.

The directorial feature debut of of British-Indian filmmaker Suri, best know for her documentaries “I for India” (2005) and “Around India with a Movie Camera” (2018),  “Santosh” is set in rural northern India, where newly-widowed Santosh inherits her late husband’s job as a police constable. When an underage girl from one of India’s so-called “lower castes” is murdered, she is pulled into the investigation by charismatic feminist inspector.

Written and directed by Suri, “Santosh” stars Shahana Goswami in the lead role, alongside Sunita Rajwar. Behind the camera, the score was by Luisa Gerstein, cinematography by Lennert Hillege and editing by Maxime Pozzi-Garcia. The film was produced by James Bowsher, Balthazar de Ganay, Mike Goodridge, and Alan McAlex, while executive producers were Ama Ampadu, Martin Gerhard, Lucia Haslauer, Diarmid Scrimshaw, and Eva Yates. It was co-financed by Good Chaos, Razor Film Produktion, Haut et Court, BBC Film, and BFI.

In Variety‘s review, “Santosh” was described as “whip smart” and a film that was committed “to capturing the ugly allure of power through the perspective of those who wield it.”

Prior to winning with “The Zone of Interest” the U.K. had limited success in Academy Awards’ best international film category — and its previous title best foreign language film — landing just two nominations (for Welsh-language titles “Hedd Wyn” in 1993 and “Solomon & Gaenor” in 1999) from 20 submissions.

Italy: ‘Vermiglio’

Maura Delpero’s intimate epic “Vermiglio,” which recently won the Venice Film Festival’s Silver Lion Grand Jury Prize, has been designated as Italy’s candidate for the best international feature film category of the 2025 Academy Awards. 

The drama, which is set at the end of World War II in an Alpine village where the arrival of a soldier causes disruption in the dynamics between three sisters, had its North American premiere after Venice in the special presentations section at Toronto.

In her Variety review, critic Jessica Kiang called “Vermiglio” “quietly breathtaking,” going on to note that the film “unfolds from tiny tactile details of furnishings and fabrics and the hide of a dairy cow, into a momentous vision of everyday rural existence in the high Italian Alps.” 

“Vermiglio” marks Delpero’s follow-up to her first feature “Maternal” that takes place in an Argentinian refuge for teenage mothers run by nuns and made a splash on the festival circuit, will be released in the U.S. by Sideshow and Janus Films.

“Vermiglio” was chosen to represent Italy in the Oscars race by a commission of experts named by Italy’s motion picture association ANICA that in a statement praised the film “for its ability to narrate the Italy of it rural past, the feelings of which are made [both] universal and actual,” according to a statement.

Their choice is somewhat surprising given that Paolo Sorrentino’s “Parthenope,” his decades-spanning drama about a young woman born in Naples, was considered the frontrunner.

Sorrentino is a former international Oscar-winner with “The Great Beauty” which won the statuette in 2014.

Mexico: ‘Sujo’

The Academia Mexicana de Artes y Ciencias Cinematográficas has selected Astrid Rondero and Fernanda Valadez’s Sundance Grand Jury Prize-winner “Sujo” as its entry for the 2025 International Feature Oscar race.

Described by Variety’s Peter Debruge as “understated and essential,” “Sujo” kicks off after a cartel gunman is killed, leaving behind his beloved 4-year-old son and a legacy of violence that follows the boy throughout his life in the isolated Mexican countryside. As Sujo grows into a man, he faces the risk of repeating his father’s fatal mistakes.

Long-time collaborators Rondero and Valadez previously impressed with their sophomore feature “Identifying Features,” which won nine Mexican Academy Ariel Awards in 2021, including best direction for Valadez and best screenplay for Valadez and Rondero.

In addition to its Sundance win, “Sujo” has screened at several high-profile festivals around the world and is currently competing in San Sebastian’s Horizons competition. The feature is a Mexico-U.S.-France co-production from A EnAguas Cine Production, produced by Astrid Rondero, Fernanda Valadez and Diana Arcega. It’s sold globally by Alpha Violent with UTA holding American rights.

India: ‘Laapataa Ladies’

The Film Federation of India has selected Kiran Rao’s “Laapataa Ladies” (“Lost Ladies”) as the official submission to the best international feature film category of the 2025 Academy Awards. The film debuted as a Centrepiece selection at the 2023 Toronto International Film Festival. It subsequently had a successful box office run in India.

The selection of “Laapataa Ladies” will come as a surprise to many who were expecting Payal Kapadia’s Cannes Grand Prix winner “All We Imagine as Light” to make the cut.

Set in 2001 in rural India, “Laapataa Ladies” follows two young brides wearing identical crimson veils who get swapped during a train ride to their husbands’ villages after their weddings. It is based on “Two Brides” by Biplab Goswami, one of the winning scripts at the Cinestaan India Storytellers Contest, where Bollywood superstar Aamir Khan, one of the producers of “Lost Ladies,” was on the jury. The script was subsequently worked on by Sneha Desai and Divyanidhi Sharma, keeping Goswami’s vision intact.

While the tone of the film is light-hearted, the issues tackled are deadly serious. “We have, obviously, violence against women and quite horrible things that happen to women in India and the story could have gone in any direction, really. The idea was to allow that space for women to hope, for women to reach optimistically for something. And to do it without violence,” Rao had told Variety.

Iran: ‘In the Arms of the Tree’

“In the Arms of the Tree” has been selected as Iran’s official submission for the best international feature film category of the 2025 Academy Awards. The decision was announced by the Farabi Cinema Foundation, which said that the Babak Khajeh Pasha-directed film had been chosen after 10 days of deliberation.

Family drama, “In the Arms of the Tree” tells the story of a couple married for twelve years, whose life crisis shatters their children’s world. The main roles are played by Maral Baniadam, Javad Ghamati and Rouhollah Zamani. It had its world premiere at Iran’s Fajr Film Festival in February last year and also played at the Shanghai International Film Festival this year.

Many Iranian filmmakers are currently working outside the official system, due to censorship and other restrictions, or protests against such authoritarian clampdowns. Still others are working abroad.
One of the highest profile Iranian films of this year Mohammad Rasoulof’s “The Seed of the Sacred Fig,” which received the special jury prize at Cannes Film Festival, for its Oscar entry, is the official submission of Germany. In Iran, Rasoulof has been sentenced to eight years in prison for the political content of his films.

Hong Kong: ‘Twilight of the Warriors: Walled In’

Hong Kong has selected the Soi Cheang-directed blockbuster “Twilight of the Warriors: Walled In” as its contender in the best international feature film category of the Oscars.

The decision was announced on Friday by The Federation of Motion Picture Producers of Hong Kong.

The film, reputed to one of the costliest ever produced in the city, is a visual treat that has great business with its key audiences in Hong Kong, where it broke box office records, and in mainland China where it came close to grossing $100 million. The picture also played as a midnight screening at the Cannes Film Festival in May.

Based on the Chinese comic “City of Darkness” by Andy Seto, the film follows Chan Lok-kwun (portrayed by Raymond Lam), a mainland refugee trying to pay his way to a fake ID by winning bare-knuckle brawls. When he ends up double crossed by remorseless triad leader Mr. Big (legendary actor-director Sammo Hung), the desperate outsider steals a satchel of the head honcho’s cocaine and makes a run for the Walled City, which Cheang and cinematographer Cheng Siu-keung capture as a darkened citadel, hostile to anyone who approaches. It also stars Louis Koo, Ritchie Jen, Terrance Lau, Kenny Wong and Philip Ng.

Cheang has a track record of acclaimed, mostly thoughtful, action films including “Limbo,” “Motorway,” “Dog Bite Dog” and “Accident.” This is the first time that one of his efforts has been selected as the territory’s Oscar hopeful. The last time that Hong Kong had a film receive an Oscar nomination was 2020 and “Better Days.”

Sweden: ‘The Last Journey’

“The Last Journey,” a documentary feature directed by Filip Hammar and Fredrik Wikingsson, has been chosen by Sweden to represent the country in the International Feature Film race.

The film follows Lars Hammar, Filip Hammar’s father, who after 40 years as a beloved French teacher in Köping is retiring. But instead of a “third age” with travel, wine and experiences together with his wife, he becomes passive and tired. Filip and Fredrik take Lars to his beloved France and let him revisit the places he loves. By making the same road trip that the family used to make when Filip was a child, and staging some of life’s most beautiful moments, they hope to rekindle Lars’ spark.

“The Last Journey” is produced by Lars Beckung and Petra Måhl, Nexiko, with production funding from the Swedish Film Institute, film commissioner Anna Weitz. The documentary had its Swedish cinema premiere on March 1 through Nordisk Film and is still playing in cinemas.

Norway: ‘Armand’

Norway has selected “Armand,” the feature debut of Ullmann Tøndel which stars “Worst Person in the World” actor Renate Reinsve.

The movie made history at this year’s Cannes Film Festival as the first-ever Norwegian recipient of the prestigious Camera d’Or Award. It world premiered at Un Certain Regard and is being represented in international markets by Charades.

“Armand” was acquired by IFC Films. The banner will give “Armand” a qualifying run this year. The movie was produced by Eye Eye Pictures, Kepler Film , Prolaps and Film i Väst.

When actress Elisabeth (Reinsve) is unexpectedly called into a parent-teacher conference after hours, she is presented with scathing allegations that trigger a tangled web of accusations between parents and faculty. “As Elisabeth struggles to uncover the truth amid the empty school rooms and dark corridors, a chaotic fight for redemption arises where desire, madness and obsession prevail,” according to the film’s logline.

The film co-stars Ellen Dorrit Petersen, Thea Lambrechts Vaulen, Endre Hellestveit, Øystein Røger and Vera Veljovic and is produced by Andrea Berentsen Ottmar.  

Indonesia: ‘Women From Rote Island’

Indonesia has picked debut feature “Women From Rote Island” as its national contender for the best international feature film Oscar. Set in beautiful surroundings in the south of the country, its story is one of harsh economic and social conditions. Directed by actor-writer-producer Jeremias Nyangoen, the picture made its debut last year at the Busan International Film Festival and has since added multiple festival dates and awards.

The New York Asian Film Festival, where it recently won another prize, called the film, “part ethnographic doc, part lurid sexual-violence drama [and] part stinging indictment of the patriarchal structures that make life a horror story for many young women.”

Denmark: ‘The Girl With the Needle‘

Magnus von Horn’s chilling drama “The Girl With the Needle” has been selected as the Danish contender in the International Feature Film category at the 2025 Oscars.

The black-and-while movie, which world premiered in competition at the Cannes Film Festival, was chosen by the The Danish Oscar Committee, from a shortlist of three films, including “Echo of You” by Zara Zerny and “Sons” by Gustav Möller.

Following its bow at Cannes, “The Girl With the Needle” had its North American premiere at Toronto and will next launch in theaters in New York and Los Angeles on Dec. 6. Mubi bought “The Girl With the Needle” at Cannes and will campaign for it in the U.S. where it will distribute the film through its label Mubi USA. Besides the U.S., Mubi also picked up rights for U.K./Ireland, Latin America, Germany/Austria, Italy, Turkey and India.

Penned by von Horn (“Sweat”) and Line Langebek, “The Girl With the Needle” is loosely based on the true story of Danish serial killer Dagmar Overbye. Set in post WW1 Copenhagen, the film adaptation revolves around Karoline (Sonne), a young pregnant factory worker, who takes on the job of a wet-nurse for the charismatic Dagmar (Dyrholm) in order to escape poverty. Under the fake storefront of a candy shop, Dagmar runs a hidden adoption agency, helping poor mothers find foster homes for their unwanted infants. A strong bond develops between the women, but Karoline’s world is soon shattered, as she gets a grip on the nightmarish fate she unknowingly embraces. The Match Factory holds world sales rights.

France: ‘Emilia Perez’

France’s revamped Oscar committee has selected Jacques Audiard’s exhilarating redemption thriller “Emilia Perez” for the international feature film race. The movie won two major awards at the Cannes Film Festival and earned rave reviews.

“Emilia Perez” stars Karla Sofía Gascón as a fearsome drug lord who embraces her true self as a woman. The Spanish-language film earned one of Cannes’s longest standing ovations and went on to win the Jury Prize (in a jury presided over by Greta Gerwig), on top of a best actress prize for the ensemble cast, including Gascón, Zoe Saldaña, Selena Gomez and Adriana Paz. The movie was bought by Netflix for the U.S. and the U.K. following its Cannes premiere.

Canada: ‘Universal Language’

Matthew Rankin’s “Universal Language” will represent Canada in the Oscars best international feature race.

The film, which marks Rankin’s follow-up to his award-winning surreal movie “The Twentieth Century,” is a comedy unfolding in a reimagined Canada where Persian and French are the two official languages. It follows the lives of multiple characters, including Gradeschoolers Negin and Nazgol who find a sum of money frozen in the winter ice and try to claim it. Meanwhile, Massoud leads a group of increasingly-befuddled tourists through the monuments and historic sites of Winnipeg. Matthew quits his meaningless job in a Québecois government office and sets out upon an enigmatic journey to visit his mother.

Represented worldwide by Brussels-based company Best Friend Forever, the movie world premiered at this Cannes Directors’ Fortnight where it won the inaugural People’s Choice Award. Following the Toronto and New York festivals, the movie will go on to play at Fantastic Fest and Festival du Nouveau Cinema as the festival opener.

Spain: ‘Saturn Return‘

“Saturn Return,” the latest film from “One Year, One Night” director Isaki Lacuesta which swept best Spanish film and director at March’s Malaga Festival, has been selected to represent Spain at the 2025 Oscars international feature race. 

Sold by Latido Films, it beat out “The Blue Star” and “Marco,” the other two films on Spain’s Oscar shortlist.

At once a radical movie – seemingly, a biopic but constantly and comically subverting audience expectations with characters who can’t remember what really happened given they were drunk or drugged, or both, at the time – “Saturn Return” notwithstanding ends up as a feelgood movie of artistic triumph against adversity.

“Saturn Return” is inspired by legendary Spanish indie rock band Los Planetas, making in the late 1990s the record that sealed their reputation, despite band splits and band members’ frequently catatonic state. 

Lacuesta co-directed with Pol Rodríguez and co-wrote with top Spanish screenwriter Fernando Navarro (“Below Zero”). A string of prominent companies on Spain’s indie scene produced the film: Ikiru Films, La Terraza Films, Áralan Films, Bteam Prods, Sideral Cinema, Los Ilusos Films. Bteam Pictures distributed the film in Spain.  

Egypt: ‘Flight 404’

Egypt has selected female empowerment thriller “Flight 404” as its candidate in the 2025 Oscars international feature race.

Directed by Hani Khalifa, “Flight 404” toplines Mona Zaki – who starred in the Arabic adaptation of hit dramedy “Perfect Strangers” – playing an Egyptian woman named Ghada who is about to board a flight to participate in the Hajj, the annual Muslim pilgrimage to the holy site of Mecca in Saudi Arabia to atone for past misdeeds, when she is forced to face a sudden emergency requiring lots of cash. This prompts Ghada to reconnect with shady people from her tainted past from whom she had long distanced herself.

Besides Zaki, the “Flight 404” Arab A-list cast includes Mohamed Farrag, Mohamed Mamdouh, Shereen Reda, Khaled al-Sawi, Mohamed Alaa and Hassan Al-Adl.

“Flight 404,” which topped box office charts in Egypt and Saudi, is produced by Mohamed Hefzy and Shahinaz Al-Akkad through their production companies Film Clinic and Lagoonie Film Production, in co-production with Saudi Arabia’s Pictures Entertainment Group and Hi Media Production.

Israel: ‘Come Closer‘

Tom Nesher’s feature debut “Come Closer,” which won four Ophir Awards, will represent Israel in the 2025 Oscars international feature race.

The personal drama follows Eden (Lia Elalouf), a young woman struggling to cope with the loss of her young brother in a tragic accident who takes desperate measures to overcome grief. Throughout her journey, she discovers her late brother’s secret girlfriend and becomes obsessed with her.

“Come Closer” world premiered at the Tribeca Film Festival where it won the Viewpoints Award, and played at the Jerusalem Film Festival where it nabbed the Haggiag Award for Best Israeli Feature Film, as well as Best Actress for Lia Elalouf. The poignant movie won big at last night’s Ophir Awards (the local equivalent to the Oscars), taking home prizes for best film, director, actress and editing.

The cast also includes Haim Mecklberg, Estee Yacov-Mecklberg, Domenico Procacci, Laura Paolucci, Moshe and Leon Edery, among others.

Algeria: ‘Algiers‘

Algeria has selected Chakib Taleb-Bendiab’s child kidnapping thriller “Algiers” as its entry in the 2025 Oscars international feature race.

Inspired by true events, the film is set against the backdrop of collective scars left by the country’s 1992-2002 civil war, known as the Black Decade. It turns on the kidnapping of a young girl that creates tension and suspicion in the Algerian capital. Only Dounia, a brilliant psychiatrist, and Sami, a police inspector, can unearth the demons of the past,” reads the film’s official synopsis.

“Algiers” is the first feature by Bendiab, a writer/director and composer whose short “Black Spirits” – an African Samurai tale set in the Tunisian Sahara performed by French and Japanese actors – made a splash on the fest circuit.

It was chosen to represent Algeria in the Oscars race by a committee within the country’s culture ministry. The ministry in a statement praised “Algiers” as “a major step toward the recognition of the country’s burgeoning film industry on the global stage.”  

Taleb-Bendiab in a statement said he “envisioned this film as a raw, human portrayal, faithful to the realities of Algerian life, observed through the lens of a thriller— a genre rarely showcased from our country in the West.”

“Algiers” is a co-production between Algeria, Tunisia, France and Canada. Khaled Chikhi, of Algeria’s Temple Production, is the lead producer; Yasmine Dhoukar (Clandestino) is the Tunisian co-producer; and Canadian filmmaker Patricia Chica (Flirt Films) serves as executive producer.

Mad World represents “Algiers” for international sales.

Palestine: ‘From Ground Zero’

The Palestinian Ministry of Culture has selected anthology film “From Ground Zero” to represent Palestine as its entry in the 2025 Oscars international feature race.

A compilation of 22 short films shot by filmmakers inside the Gaza Strip during the current Israeli-Palestinian conflict, “From Ground Zero” was spawned by Gaza-born director Rashid Masharawi who founded the Masharawi Fund to give internally displaced artists a platform to express their personal stories amidst the war’s devastation.

Masharawi worked alongside French production company Coorigine Productions and producer Laura Nikolov, who coordinated all the groups in Gaza, receiving the material, and supervising the post-production process.

“From Ground Zero” recently made its North American debut at the Toronto Film Festival.

Turkey: ‘Life’ 

Zeki Demirkubuz’s drama “Life” (“Hayat”) has been chosen as Turkey’s Oscar candidate in the international feature film category.

The prolific director’s latest work revolves around a woman named Hicran who flees her home when she is forced by her father to marry a man whom she hardly knows and her fiancé, Rıza, who reluctantly travels to Istanbul to track her down. His pursuit leads to a confrontation which forces both characters to face their true feelings and desires. The announcement that Turkey has picked “Life” was made on social media by Turkey’s culture ministry.

“Life” won best film at Malta’s Mediterrane festival, after launching from Rotterdam.

Iraq: ‘Baghdad Messi‘

Sahim Omar Khalifa’s heart-tugging drama “Baghdad Messi” has been selected as Iraq’s Oscar entry in the international feature film category.

Set in 2009 Baghdad, the film revolves around a soccer-crazed 10-year-old named Hamoudi, who lives in the war-torn capital and dreams of becoming a professional like his idol Lionel Messi. Things take a terrible turn when the young boy is caught in the crossfire of an armed clash and loses his leg as a result.

The long-gestating “Baghdad Messi” originated as a short by Khalifa, who is a Belgium-based Kurdish director. His short with the same title won prizes at dozens of international fests and was shortlisted for an Oscar in 2014.

Nepal: ‘Shambala’

Nepal has selected “Shambhala” as its Oscar entry in the international feature film category.

Directed by Min Bahadur Bham, “Shambhala” – a mystic, sacred realm in Tibetan Buddhism, also an area of significance in Hinduism, which means a place of peace – begins in a Himalayan polyandrous village in Nepal, where pregnant Pema faces scrutiny as her first husband Tashi vanishes on a trade trip to Lhasa. Accompanied by her de facto husband, the monk Karma, she embarks on a journey to find him, evolving her quest into self-discovery and liberation.

The film debuted at the Berlinale and has since played at Sydney, Karlovy Vary and Locarno. It is a Shooney Films (Nepal) production in co-production with CDP (France), Ape&Bjørn (Norway), Aaru Production (Hong Kong), ZK Films (Turkey), Yi Tiao Long Hu Bao (Taiwan) Bangdel and Shakya Production (U.S.).

Bham’s 2012 short “Bhansulli” debuted at Venice. His debut feature “Kalo Pothi” (aka “The Black Hen,” 2015) won the Fedeora best film award at Venice Critics’ Week and became Nepal’s official Oscar entry. The film, produced by Bham, reunites him with his “Kalo Pothi” producer Catherine Dussart, who serves as co-producer alongside Verona Meier, Shuk Fong Chong, Zeynep Koray, Justine O. Bibhakar and Sunder Shakya, with Debaki Rai, Liao Ching-Sung, Roger Huang, Ruben Thorkildsen, Can Aygor and Salina Shakya as executive producers and Rajesh Prasad Khatri, Jeremy Chua and Lee Chi Lin as associate producers.

Kenya: ‘Nawi’

Kenya has selected “Nawi,” which explores the issue of child marriage in rural Africa, as its Oscar entry in the international feature film category.

The film centers on Nawi, whose aspirations of attending high school are shattered when she learns that her father Eree plans to marry her off to a stranger. Despite her family’s need for the bride-price – livestock – Nawi refuses to accept her fate. Her ally in this struggle is her brother, Joel.

The film is directed by Toby Schmutzler, Kevin Schmutzler, Vallentine Chelluget and Apuu Mourine. It is written by Milcah Cherotich. It is produced by Lydia Wrensch, Caroline Heim and Brizan Were. Executive producers are Ludwig Bayern, Steven Haft, Katja Eichinger and Matthias Rosenberger.

The production companies are FilmCrew Media, Startup Lions Assets Kenya and Baobab Pictures.

Senegal: ‘Dahomey’

“Dahomey,” Mati Diop’s immersive documentary that won the Berlinale’s prestigious Golden Bear, has been selected as Senegal’s entry to the 2025 Oscars international feature race.

According to its official synopsis, “Dahomey” explores “real perspectives on far-reaching issues surrounding appropriation, self-determination and restitution. Set in November 2021, the film charts 26 royal treasures from the Kingdom of Dahomey that are due to leave Paris and return to their country of origin: the present-day Republic of Benin. Using multiple perspectives, Diop questions how these artifacts should be received in a country that has reinvented itself in their absence.”

After holding its North American premiere at TIFF, “Dahomey” will screen at Camden International Film Festival and New York Film Festival before debuting in U.S. theaters on Oct. 18.

“Dahomey” is written and directed by Diop with cinematography by Josephine Drouin Viallard and editing by Gabriel Gonzalez. Diop, Eve Robin and Judith Lou Lévy produce alongside executive producers Christiane Chabi Kao and Cotonou. Les Films du Losange is handling international sales.

Georgia: ‘The Antique’

Georgia has selected “The Antique,” a drama about the 2006 expulsion of thousands of Georgian nationals from Russia, as its contender for the Academy Awards best international feature film prize.

The film was directed by Rusudan Glurjidze and is structured as a coproduction involving Georgia’s Cinetech, the Czech Republic’s Cinetrain, Iceland’s Whitepoint Digital and Germany’s Basia Berlin Filmproduction. International sales are handled by MPM International.

The Oscar selection was made by a special committee within Georgia’s National Film Center.

The film had its world premiere at the recent Venice Film Festival, where its initial screenings were threatened by claims of copyright infringement by Russian and Croatian companies.

Belgium: ‘Julie Keeps Quiet’

Leonardo Van Dijl’s “Julie Keeps Quiet” has been selected as Belgium’s entry in the contest for the international feature film category of the 97th Academy Awards.

“Julie Keeps Quiet” focuses on a star player at an elite tennis academy, whose life revolves around the game she loves. When her coach falls under investigation and is suddenly suspended, all of the club’s players are encouraged to speak up. But Julie decides to keep quiet…

Van Dijl’s debut feature premiered in Cannes’ Critics’ Week, where it won both the Prix SACD and the Prix Fondation GAN. It made its North American premiere in Toronto’s Centrepiece section. Upcoming screenings include Busan and London film festivals.

Tennis champion Naomi Osaka is executive producing the movie through her company Hana Kuma. The cinematography is by Nicolas Karakatsanis (“Cruella,” “I, Tonya”) and the score is by Pulitzer Prize-winning composer Caroline Shaw.

The film has been sold by New Europe Film Sales to nearly 30 territories, with deals for North America and Japan expected to close soon.

The film is produced by Gilles De Schryver, Gilles Coulier, Wouter Sap, Roxanne Sarkozi for De Wereldvrede (Belgium), and co-produced by Delphine Tomson, Luc Dardenne, Jean-Pierre Dardenne for Les Films du Fleuve (Belgium), Nima Yousefi for Hobab (Sweden) and Kristina Börjeson and Anthony Muir for Film i Väst (Sweden).

Executive producers are Federica Sainte-Rose and Florian Zeller for Blue Morning Pictures and Naomi Osaka and Stuart Duguid for Hana Kuma. The film was supported by The Flemish Audiovisual Fund, the Centre du Cinema et de l’audiovisuel of the French community in Belgium, the Belgian Tax Shelter, Proximus, New Dawn and Film i Väst.

Van Dijl is repped by 2AM, Ken Lambrechts, CAA and Granderson Des Rochers.

Slovenia: ‘Family Therapy’

Slovenia has selected Sonja Prosenc’s “Family Therapy” as its submission to the Oscars best international film race.

“Family Therapy” follows a seemingly perfect family whose life is thrown into disarray when a young stranger arrives, exposing their hidden fears, flaws and dreams, and unraveling the deep-seated dysfunction in their relationships. It stars Mila Bezjak, Aliocha Schneider, Marko Mandić and Katarina Stegnar.

In a statement, the country’s Oscar jury said the film “addresses the current theme of the hedonistic elite in the modern world, who live their safe and untouchable lives under a glass dome. The film skillfully intertwines the complex dynamics of relationships between the inner and outer worlds, the spiritual and the physical. Through an innovative combination of expressive means, at a high production level, and with the right balance of comedy and tragedy, the creators have succeeded in breaking through the seemingly protective glass that once shielded us from the intrusion of raw reality.”

In an interview with Variety, Prosenc said the film came to be because she was “wondering about this dissonance between our values and our actions, when we are confronted with something in real life.”

Of her main characters, she said: “I think they feel completely disconnected from the rest of society. And they want to feel disconnected. This is a very contemporary state of society in Slovenia. And, of course, worldwide.”

Hungary: ‘Semmelweis’

Lajos Koltai’s period biopic “Semmelweis,” about a Hungarian doctor best known for introducing antiseptic procedures at Vienna’s maternity clinic, has been selected as the Hungarian entry for the best international film category of the Academy Awards.

Koltai was nominated for an Oscar for the cinematography of 2001’s “Malena.”

“Semmelweis,” sold by NFI World Sales, has become the highest grossing Hungarian movie in theaters in five years, attracting more than 350,000 viewers and grossing more than $2 million since its November 2023 release.

Taking place in 19th century’s Vienna, the film tells the story of Ignac Semmelweis, a short-tempered but passionate Hungarian doctor, who delivers babies and carries out autopsies on a daily basis whilst looking for the cause of puerperal fever, the mysterious epidemic that decimates patients in the hospital.

Semmelweis’ boss prohibits him from conducting research into the subject and blocks him at every turn. He also makes a young midwife, Emma Hoffmann, spy on him. However, the relationship between Semmelweis and Emma develops into a romance. When Semmelweis discovers the cause and prevention of the maternity fever, half of his peers discredit him, yet he carries on with the fight to prove his theory at all costs.

Koltai said, “Semmelweis’ life is an example for all of us: a man who always, in all circumstances, followed his own path with a courage that defied death, which could not be diverted by hatred or violence. I wanted to show the viewers that it can be done: Perseverance, determination, dedication and passion bear fruit.”

The film’s leading role is played by young talent Miklós H. Vecsei, playing opposite Katica Nagy. “Semmelweis” was written by Balázs Maruszki. The cinematographer was András Nagy. Music was composed by Attila Pacsay. “Semmelweis” was produced by Tamás Lajos, Szupermodern Filmstúdió and Joe Vida, and was supported by Hungary’s National Film Institute.

Koltai’s film is the third about the life of the physician, after André de Toth’s 1940 biopic and Frigyes Bán’s “Semmelweis,” released in 1952.

The Oscar selection committee included Csaba Káel, government commissioner for the development of the Hungarian motion picture industry and chairman of the National Film Institute, editor Gabriella Koncz, dramaturge-director György Lukácsy, Emil Novák, cinematographer-director and chairman of the Hungarian Film Academy, Ákos Pesti, producer, Zsuzsanna Sipos, Oscar-winning set decorator (“Dune”), and Csilla Szabó, dramaturge.

Czech Republic: ‘Waves’

The Czech Republic has selected drama film “Waves” as its contender for the best international film category of the Oscars. Written and directed by Jiri Madl, the film is set during the 1968 Soviet Invasion of the country and depicts the fact-based story of a group of journalists from the international service of Czechoslovak Radio who were determined to keep independent news flowing.

The film had its premiere at the Karlovy Vary festival and picked up the audience award. It had its commercial release in Czech theaters from Aug. 15 via Bonton, and attracted over 400,000 admissions.

The selection was made by the Czech Film and Television Academy.

The film’s international sales are being handled by Urban Sales.

Cambodia: ‘Meeting With Pol Pot’

Rithy Panh’s “Meeting With Pol Pot” has been selected to represent Cambodia in the best international film section of the Oscars. While based partially on real events (and on the writings of American war journalist Elizabeth Becker), it crafts a fictitious tale of three French journalists attempting to interview Cambodian dictator Pol Pot in 1978. The film premiered in May at the Cannes film festival and had an official release in Cambodia on Aug. 9.

The selection was made by the Ministry of Culture and Fine Arts and announced by the Department of Film and Cultural Diffusion.

Morocco: ‘Everybody Loves Touda’

Morocco has selected Nabil Ayouch’s “Everybody Loves Touda” as its candidate for the best international film Oscar.

The film tells the story of a young poet and singer steeped in an ancient Moroccan form of folk song called aita, but forced to perform trashy pop songs in bars filled with abusive men.

“Everybody Loves Touda,” launched in May out-of-competition from the Cannes Film Festival. MK2 Films is handling international sales.

Ayouch produced “The Blue Caftan,” directed by Maryam Touzani, which in 2023 became the first Moroccan film to ever make it to the Oscars shortlist.

South Korea: ‘12.12.: The Day‘

South Korea has picked “12.12.: The Day” an historical, political action drama as its national contender for the best international film Oscar. The film, dealing with a military coup in 1979, was the highest grossing film of last year at the Korean box office and the decision to select it for the Oscars was a unanimous one, the Korean Film Council (Kofic) said.

Directed by Kim Sung-su, the film was released in November last year.

Japan: ‘The Cloud’

Kurosawa Kiyoshi’s “Cloud” has been selected as Japan’s submission for the best international film in the Oscars race. The film will appear out of competition this week at the Venice film festival.

The film is a thriller centered around a young man who resells goods online and who triggers a series of online incidents. These blur the boundaries between the real and virtual worlds.

Despite having long been one of a triumvirate of top Japanese directors (along with Kore-eda Hirokazu and Kawase Naomi), Kurosawa has not previously had one of his films selected for an Oscar run.

Japan has scored strongly at the Oscars. Since the beginning of the 21st century, it has won the best foreign film Oscar twice (for “Departures” and “Drive My Car”) and had one make the shortlist (“Confessions”) and two additional nominations (“Shoplifters” and last year’s “Perfect Days.)

International sales are handled by Nikkatsu.

Kyrgyzstan: ‘Heaven Is Beneath Mother’s Feet’

“Heaven Is Beneath Mother’s Feet” (aka “Beyish Enenin Tamanynda”) will represent Kyrgyzstan in the Best Foreign Language Film category at the Oscars. The Oscar selection was made by the Union of Cinematographers of Kyrgyzstan.

The film is directed by Ruslan Akun and is the story of an adult man whose mental development stopped at age 8 and who continues to live with his mother. In order to make sure that his mother can go to heaven, he takes her by foot on a journey to Mecca.

Last year the Kyrgyzstan submission was ruled to be ineligible as it had released before the qualifying period. No replacement film was offered. “Heaven is Beneath Mother’s Feet” opened in Kyrgyzstan cinemas in March 2024 and has subsequently released in Russia and Uzbekistan.

Germany: ‘The Seed of the Sacred Fig’

Germany has decided to submit Mohammad Rasoulof’s “The Seed of the Sacred Fig,” which received the special jury prize at Cannes Film Festival, for its Oscar entry. Rasoulof attended the fest while in exile in Germany from his home country of Iran, which had sentenced him to eight years in prison for the political content of his films.

“The Seed of the Sacred Fig” follows a man (Misagh Zareh), who has “just been promoted to be an investigating judge at the Revolutionary Court in Tehran when a huge protest movement sweeps the country following the death of a young woman,” its synopsis reads. “Although the demonstrations increase and the state cracks down with ever tougher measures, Iman decides to side with the regime, upsetting the balance of his family.”

In a statement, Germany’s Oscar committee called the film “a psychological portrait of Iran’s theocracy which is built on violence and paranoia. Mohammad Rasoulof subtly tells of the cracks within a family that are representative of those within Iranian society itself. A masterfully directed and movingly acted film that finds scenes that stay with you. The two rebellious daughters symbolize the courageous women of Iran and their self-sacrificing struggle against the patriarchs of their families and their state. It is an outstanding work by one of the great directors of world cinema and someone who has found refuge in Germany from state despotism in Iran. We are very happy to know that Rasoulof is safe in our country. And we are delighted that he will be representing Germany at the Oscars in 2025.”

Neon is releasing “The Seed of the Sacred Fig” in the U.S.

Lithuania: ‘Drowning Dry’

Laurynas Bareiša’s “Seses” (Drowning Dry), which won best director in the international competition and best performance award for the film’s four leads at Locarno Film Festival on Saturday, has been selected by Lithuania as its Oscar entry.

In the film, Ernesta, her husband Lukas, and her son, together with her sister Juste’s family, are spending the weekend at a country house after Lukas’s victory in a mixed martial arts tournament. The families are swimming in a nearby lake, having dinner, discussing family finances. After an accident, the sisters become single mothers. The film follows the sisters’ life in the aftermath of the tragedy.

The structurally complex, narratively splintered drama marks a confident step forward for Lithuanian cinematographer turned director Bareiša, whose debut “Pilgrims” triumphed in Venice’s Horizons competition in 2021.

The producer is Klementina Remeikaitė for Afterschool Production of Lithuania and the co-producer is Matīss Kaža for Trickster Pictures of Latvia.

International sales are handled by Alpha Violet.

Uruguay: ‘Hay una puerta ahí’

Uruguay has submitted Juan Ponce de León and Facundo Ponce de León’s debut feature documentary “Hay una puerta ahí,” to the the best international feature category of the 97th Academy Awards.

“Hay una puerta ahí” documents the beginning of a friendship between two older men, with one helping the other to die. For nine months, Fernando and Enric recorded every conversation they shared about the subject, conversations had entirely through video chat during the pandemic.

With a slight “The Odd Couple” vibe, Fernando logs on to video chat from a hospital bed, often with a cigarette between his lips, while Enric sits in a well-kept home office. Fernando’s family makes sometimes heartbreaking and sometimes uplifting cameos as together, they face the end of their patriarch’s life.

The film, produced by Mueca Films in Uruguay and A Contracoriente Films in Spain, screened in San Sebastian’s Made in Spain sidebar in 2023 and in Malaga’s special selections section for documentaries.

Taiwan: ‘Old Fox’

Taiwan has selected multi-award-winning drama film “Old Fox” as its representative in the best international feature category of the 97th Academy Awards. The island’s Ministry of Culture says that it selected “Old Fox” from 14 candidate films.

Directed by Hsiao Ya-chuan, the film tells the morally-conflicted tale of an 11-year-old boy from a modest background. He is torn between the hardscrabble and penny-pinching life of his single-parent father and the allure of a neighborhood landlord, who offers riches and lessons in streetwise pragmatism.

The central performances of child star Bai Run-jin (who previously appeared in “Dear Tennant”) and writer-actor Akio Chen elevate the triangular relationship into a prize-winning effort. The picture had its premiere at the Tokyo International Film Festival before becoming the numerical winner at Taiwan’s prestigious Golden Horse Film Awards the following month. While it missed out on the best film prize, “Old Fox” collected four prizes including best director and best supporting actor for Chen.

Latvia: ‘Flow’

Latvia has selected Gints Zilbalodis’ “Flow” as its entry in the best international feature category of the 97th Academy Awards. The animated feature had its world premiere in the Un Certain Regard section of the Cannes Film Festival and won four prizes at Annecy.

Sideshow and Janus Films acquired North American rights to the film out of Cannes and are planning a theatrical release this year.

At Annecy, “Flow” won the Audience Award, the Jury Award, the special prize for original music and the Gan Foundation Award for Distribution. It will also screen at the Toronto Film Festival next month.

“Flow” follows a courageous cat after his home is devastated by a great flood. Teaming up with a capybara, a lemur, a bird and a dog to navigate a boat in search of dry land, they must rely on trust, courage and wits to survive the perils of a newly aquatic planet.

The film was co-written by Zilbalodis and Matiss Kaza, with a score by Zilbalodis and Rihards Zalupe. It was produced by Zilbalodis and Kaza, alongside Ron Dyens and Gregory Zalcman. The international sales agent is Charades.

Zilbalodis’ “Away” won the Contrechamp Award for Best Film at Annecy in 2019.

Latvia’s selection was made by the Latvian Selection Committee, a commission of film industry experts established by the National Film Center.

Austria: ‘The Devil’s Bath’

“The Devil’s Bath,” a period psychological thriller which competed at the Berlin Film Festival, has been submitted by Austria as its official Oscar entry for the international feature film race. The film picked up the Silver Bear for best cinematography (for Martin Gschlacht) at the Berlinale.

The film is directed by Veronika Franz and Severin Fiala, the Austrian filmmaking duo behind “Goodnight Mommy,” which bowed at Venice and also represented Austria in the Oscar race.

Set in rural Austria in 1750, the film centres on Agnes, a young married woman who feels oppressed in her husband’s world, which is devoid of emotion and limited to chores and expectations. A pious and highly sensitive woman, Agnes falls into a deep depression, before committing a shocking act of violence that she sees as the only way out of her inner prison.

The movie is being handled by Shudder in North America. The streamer also picked it up for the U.K., Ireland, Australia and New Zealand. It’s been sold around the world by Playtime.

“The Devil’s Bath” was produced by Ulrich Seidl Filmproduktion, in co-production with Heimatfilm and Coop99 Filmproduktion.

“The Devil’s Bath”

Ireland: ‘Kneecap’

Ireland has submitted “Kneecap” to represent the country in the Oscars international feature film category.

The film became a sensation in Sundance, where it was acquired by Sony Pictures Classics, and has been amassing plaudits at festivals around the world over the last few months.

From writer-director Rich Peppiatt, “Kneecap” is a raucous semi-autobiographical comedy about the wildly outspoken and hard-partying Northern Irish hip-hop trio of the same name.

“Kneecap” was produced by Trevor Birney and Jack Tarling for Fine Point Films and Mother Tongues Films, with Patrick O’Neill at Wildcard acting as co-producer.